Shigure no Hyakunin Isshu

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Japanese

English

Audio: NHK Creative Library

Read by LibriVox volunteer Larry Wilson.
Audio courtesy of LibriVox

待賢門院堀川たいけんもんいんのほりかわ

長ながからむん
心こころもしらず
黒髪くろがみの
みだれてけさは
物ものをこそ思おもへえ

Horikawa, attendant to Empress Taiken

みたれてけ
さはものを
こそおもへ

kimariji

ながか

Previous
Poem 80
長ながからむん 心こころもしらず 黒髪くろがみの
みだれてけさは 物ものをこそ思おもへえ
Author: Horikawa, attendant to Empress Taiken (dates unknown)
Source: Senzai Wakashū, Love
English Verse Translation
My doubt about his constancy Is difficult to bear; Tangled this morning are my thoughts, As is my long black hair. I wonder—Does he care?
— William N. Porter, 1909
Modern Translation
Not knowing whether your heart will last — I woke this morning with my long black hair in tangles, lost in thought.
Commentary
Written on the theme "love" for the Kyūan Hyakushu held by Retired Emperor Sutoku. The worry of a woman waiting for her lover is compared to tangled black hair. Long hair was a sign of beauty in the Heian period, so its tangles stand for the turmoil in her heart.
About the Poet
Horikawa served Taikenmon-in, Sutoku's mother, and was active as a poet in his time. In 1142 she became a nun with Taikenmon-in, and she spent her last years at Ninna-ji.
Poem Illustration
Illustration for the poem by Horikawa, attendant to Empress Taiken

This image is based on an illustration from William N. Porter's A Hundred Verses from Old Japan, his 1909 English translation of the Hyakunin Isshu published in England, colorized and reworked using Adobe Firefly (generative AI).

Horikawa of Taikenmon-in: A Short Timeline
1126
Takes part in the poetry contest at the home of Regent and Minister of the Left Tadamichi
1142
Becomes a nun along with her mistress, Taikenmon-in
1145
Taikenmon-in dies
1150
Presents 100 poems for the Kyūan Hundred-Poem Sequence
Horikawa's Relationship Chart
  • Brown textEmperor
  • Emperor's number in the line of succession
  • Hyakunin Isshu poem number (click to go to the poem page)
  • =Marriage
100%
Served Bifukumon-in Toba74 Taikenmon-in Konoe76 Go-Shirakawa77 Sutoku7775 Horikawa, attendant to Empress Taiken80One of the poets of Retired Emperor Sutoku's Kyūan Hyakushu

Horikawa served Taikenmon-in (Fujiwara no Shōshi), the empress of Emperor Toba.

Appendix
How Poems About "Tangled Hair" Changed over Time
Since ancient times, "black hair" (kurokami) has often appeared in Japanese literature as a way to show love, sorrow, and a woman's beauty. "Tangled hair" (midaregami) in particular has expressed different feelings of love in each age. In the Man'yōshū, it stands for a heart thrown into confusion by love itself; in the Heian period, tangled hair became a scene that brings back memories of a lover; and in modern times, Yosano Akiko gave it a new meaning, as a way to express passion and her own self.
The Man'yōshū Age
— A Heart Thrown into Confusion by Love —
In the Man'yōshū age, tangled hair was not a carefully planned mood. The poems simply express a heart in turmoil, unable to bear the pain of love.

In Japanese

ぬばたまの 我わが黒髪くろかみを 引ひきぬらし
乱みだれてさらに 恋こひわたるかも nubatamano wagakurokamio hikinurashi
midaretesarani kohiwatarukamo
Man'yōshū, Anonymous

In English

I let down my black hair, and with my heart in turmoil too, I go on longing for you.

"Nubatama no" is a pillow word (makurakotoba) that leads into "black."

The Mid-Heian Period
— Memories of a Lover's Touch —
In Izumi Shikibu's poem, tangled black hair brings back the memory of a lover who once stroked her hair aside. The hair is shown as a symbol that holds the warmth and touch of a beloved person.

In Japanese

黒髪くろかみの 乱みだれも知しらず うち伏ふせば
まづかきやりし 人ひとぞ恋こいしき kurokamino midaremoshirazu uchifuseba
mazukakiyarishi hitozokoishiki
Goshūi Wakashū, Izumi Shikibu

In English

As I lie down, lost in thought, not caring that my black hair is tangled, I long for the one who used to stroke my hair aside.

The Late Heian Period
— Lingering Love, Worry About the Future, and Memories of a Face —
In the late Heian period, "black hair" grew into a theme that reflected the lingering feelings of love and worry about the future. Horikawa, attendant to Empress Taiken, linked her tangled hair on the morning after a night together with her worry about where the love would lead. Fujiwara no Sadaie, on the other hand, described how the face of a lover comes back to him with every strand of black hair.

In Japanese

長ながからむん 心こころもしらず 黒髪くろがみの
みだれてけさは 物ものをこそ思おもへえ nagakaran kokoromoshirazu kurogamino
midaretekesaha monookosoomoe
Senzai Wakashū, Horikawa, attendant to Empress Taiken

In English

I cannot tell whether your heart, which promised to love me forever, will last. This morning after we parted, my heart is as tangled as my black hair, and I am lost in thought.

In Japanese

かきやりし その黒髪くろかみの すぢごとに
うち臥ふすほどは 面影おもかげぞ立たつ kakiyarishi sonokurokamino sujigotoni
uchifusuhodoha omokagezotatsu
Shin Kokin Wakashū, Fujiwara no Sadaie

In English

In every strand of the black hair I stroked aside, your face appears before me.

Modern Times
— Self-Expression and Passion —
Midaregami (Tangled Hair) is a poetry collection born from the love between Yosano Akiko and Yosano Tekkan, who had a wife and child.
At a time when society's rules were strict, it became known as a work that openly expressed her own love and passion.

In Japanese

黒髪くろかみの 千ちすぢの髪かみの みだれ髪がみ
かつおもひみだれ おもひみだるる kurokamino chisujinokamino midaregami
katsuomohimidare omohimidaruru
Midaregami, Yosano Akiko

In English

Just as my black hair is tangled in a thousand strands, my heart too is tangled, and I worry over this and that.