Shigure no Hyakunin Isshu

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Japanese

English

Audio: NHK Creative Library

Read by LibriVox volunteer Larry Wilson.
Audio courtesy of LibriVox

皇嘉門院別当こうかもんいんのべっとう

難波江なにわえの
葦あしのかりねの
ひとよゆゑえ
みをつくしてや
恋こひいわたるべき

Attendant to Empress Kōka

みをつくし
てやこひわ
たるへき

kimariji

なにわえ

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Poem 88
難波江なにわえの 葦あしのかりねの ひとよゆゑえ
みをつくしてや 恋こひいわたるべき
Author: Attendant to Empress Kōka (dates unknown)
Source: Senzai Wakashū, Love
English Verse Translation
I've seen thee but a few short hours; As short, they seemed to me, As bamboo reeds at Naniwa; But tide-stakes in the sea Can't gauge my love for thee.
— William N. Porter, 1909
Modern Translation
For just one brief night together, like the cut end of a reed at Naniwa — must I go on longing for you forever?
Commentary
Written on the theme "love met at a traveler's inn" at a contest at Kujō Kanezane's home. Naniwa Bay was a busy port with many travelers and many courtesans, and the poet is thought to have had their lives in mind.
About the Poet
The poet served as steward (bettō) to Kōkamon-in (Fujiwara no Seishi), empress of Sutoku.
Poem Illustration
Illustration for the poem by the Attendant to Empress Kōka

This image is based on an illustration from William N. Porter's A Hundred Verses from Old Japan, his 1909 English translation of the Hyakunin Isshu published in England, colorized and reworked using Adobe Firefly (generative AI).

Bettō of Kōkamon-in: A Short Timeline
1175
Takes part in the poetry contest at the home of Minister of the Right Kanezane
1178
Takes part in the Minister of the Right's Hundred-Poem Sequence
1182
Already a nun by the time her mistress Kōkamon-in dies
Attendant to Empress Kōka's Relationship Chart
  • Brown textEmperor
  • Emperor's number in the line of succession
  • Purple textBecame Regent or Kampaku
  • Hyakunin Isshu poem number (click to go to the poem page)
  • =Marriage
100%
Served Morizane's daughter Tadazane Minamoto no Shishi YorinagaClashed with his brother Tadamichi Muneko Tadamichi76 Kaga no Tsubone Hyōe no Suke no Tsubone Sutoku7775 Kōkamon-in Jien95 Kanezane Kaneko Prince Shigehito Attendant to Empress Kōka88Joined Kanezane's poetry contests Yoshitsune91

The poet served Kōkamon-in, the daughter of Fujiwara no Tadamichi.

Because Kōkamon-in's younger half-brother was Kujō Kanezane, the poet often took part in Kanezane's poetry gatherings and became well known as a poet.

Appendix
What Is "Ashi no Fushi"?
Ashi (common reed)

Ashi (also called yoshi) is the common reed, a plant of the grass family that grows by the water. Its stem is thin and has joints (fushi) like bamboo.
It sprouts in late April and grows very fast until about June, and its stem can reach 3 m.
Its underground stems spread sideways, so it grows in large clumps.

Fushi no ma, "the space between the joints," is used as an image of something very short.
Naniwa was famous for its reeds and appears in many poems.

When you look at a real reed, the space between the joints does not seem short. One theory says that the phrase stands for "a short time" because a reed grows so quickly, adding joint after joint to its stem.

Miotsukushi (Channel Markers)
An image of miotsukushi (channel markers)

Miotsukushi are posts set in shallow waters where ships might run aground, to show where the water is deep enough for ships to pass. At Naniwa, the mouth of the Yodo River spread out into many shallows that made sailing difficult, so the miotsukushi of Naniwa were famous.
The word comes from mio-tsu-kushi, "posts of the mio." Mio means the same as 水脈みお: the line where water flows in the sea or a river. In waka, miotsukushi is often used as a kakekotoba together with mi o tsukushi, "giving oneself completely."

The emblem of Osaka City
The symbol on the left is the emblem of Osaka City.
It is based on a miotsukushi.
Nobles and Courtesans
From the mid-Heian period to the early Kamakura period, popular songs of the day called imayō were a favorite among nobles. Some courtesans (yūjo) performed by singing imayō and were invited to nobles' mansions. Emperor Go-Shirakawa learned imayō from a courtesan named Otomae, and was such a keen supporter that he compiled the Ryōjin Hishō, a collection of imayō songs. It may seem surprising that the poet wrote a poem thinking of courtesans, but through imayō, nobles had contact with courtesans and felt close to them.