Shigure no Hyakunin Isshu

Top Columns Apps Japanese Hyakunin Isshu Poem List

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Japanese

English

Audio: NHK Creative Library

Read by LibriVox volunteer Larry Wilson.
Audio courtesy of LibriVox

僧正遍昭そうじょうへんじょう

天あまつ風かぜ
雲くものかよひい路じ
吹ふきとぢじよ
をとめの姿すがた
しばしとどめむん

High Priest Henjō

をとめのす
かたしはし
ととめむ

kimariji

あまつ

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Poem 12
天あまつ風かぜ 雲くものかよひい路じ 吹ふきとぢじよ
をとめの姿すがた しばしとどめむん
Author: High Priest Henjō (816–890)
Source: Kokin Wakashū, Miscellaneous
English Verse Translation
Oh stormy winds, bring up the clouds, And paint the heavens grey; Lest these fair maids of form divine Should angel wings display, And fly far far away.
— William N. Porter, 1909
Modern Translation
Heavenly wind, please close the path through the clouds! I want to keep the celestial maidens here a little longer.
Commentary
The Kokin Wakashū says this was written on seeing the Gosechi dancers at court. Henjō compares the dancing girls to heavenly maidens. The author is listed under his lay name, Yoshimine no Munesada, so he wrote it before he became a monk.
About the Poet
Henjō was a grandson of Emperor Kanmu; his lay name was Yoshimine no Munesada. He served Emperor Ninmyō as Head Chamberlain. When the emperor died and the mourning period ended, he saw his colleagues celebrating, felt how fleeting the world is, and became a monk. He rose to Sōjō, a top rank among monks.
Poem Illustration
Illustration for High Priest Henjō's poem

This image is based on an illustration from William N. Porter's A Hundred Verses from Old Japan, his 1909 English translation of the Hyakunin Isshu published in England, colorized and reworked using Adobe Firefly (generative AI).

High Priest Henjō: A Short Timeline
816
Born as a grandson of Emperor Kanmu
845
Becomes Assistant Captain of the Left Palace Guards
849
Becomes Head Chamberlain (Kurōdo no Tō)
850
Becomes a monk after Emperor Ninmyō dies
869
Also becomes head of Urin-in Temple
885
Becomes High Priest (Sōjō)
890
Dies
Notes
  • Counted as one of the Six Immortal Poets
  • Counted as one of the Thirty-Six Immortal Poets
High Priest Henjō's Family Tree
  • Brown textEmperor
  • Emperor's number in the line of succession
  • Hyakunin Isshu poem number (click to go to the poem page)
  • =Marriage
100%
Served Fujiwara no Otomuro Kanmu50 Kudara no Nagatsugu Fujiwara no Tabiko Heizei51 Saga52 Yoshimine no Yasuyo Junna53 Prince Abo Ninmyō54 Henjō12 Ariwara no Yukihira16 Ariwara no Narihira17 Montoku55 Kōkō1558 Sosei21

High Priest Henjō's grandfather was Emperor Kanmu. His father, Yoshimine no Yasuyo, was not made an imperial prince; he was given the family name Yoshimine and left the imperial family to become a subject, yet he still rose to Senior Third Rank and Upper Counselor.

Henjō also served Emperor Ninmyō, became Head Chamberlain, and was given Junior Fifth Rank, Upper Grade. When Emperor Ninmyō died that same year, Henjō became a monk in 850.

He studied under Ennin and Enchin, monks who had studied in Tang China, became a monk of the Tendai school, and in 885 rose to Sōjō, the highest rank for monks. His son was Priest Sosei.

Appendix
The Gosechi Dance
A woman dressed as a Gosechi dancer
http://vintagepostcardsjapan.com

The Gosechi dance is performed at the Toyo-no-Akari banquet held after the Daijōsai (the first harvest festival of a new emperor) and the Niinamesai (the yearly harvest festival). It is offered by four or five unmarried young women wearing the jūni-hitoe (twelve-layered robe), holding cypress-wood fans, with ornamental combs in their hair.

The dance is said to come from a legend: when Emperor Tenmu was playing the koto in Yoshino, a heavenly maiden appeared and danced, waving her sleeves five times.

This image is a postcard of the Gosechi dance, thought to have been performed at the enthronement of Emperor Shōwa. The dancer on the postcard wears her hair puffed out at the sides, but Heian-period dancers are thought to have worn their hair hanging down naturally.

Another "Amatsukaze" and Maiden, by Princess Shikishi

Princess Shikishi wrote the next poem based on Henjō's poem. The holy glow of a maiden shines in the stillness of a winter night, cold and clear as ice.

In Japanese

天あまつ風かぜ 氷こおりをわたる 冬ふゆの夜よの
をとめの袖そでを みがく月影つきかげ amatsukaze kooriowataru fuyunoyono
otomenosodeo migakutsukikage
Shin Chokusen Wakashū, Princess Shikishi

In English

On a winter night when the wind of heaven
blows cold and clear as ice,
the moonlight shines white on the maidens' sleeves.

The Six Poetic Sages (Rokkasen)
The Six Poetic Sages Ono no Komachi Fun'ya no Yasuhide Priest Kisen Ariwara no Narihira
Click a poet to go to their poem page.

When the Kokin Wakashū was compiled, these six poets, including High Priest Henjō, were very famous poets of the generation before. In the Japanese preface to the Kokin Wakashū, Ki no Tsurayuki picked them out as "people whose names were known in recent times" and judged their poetry. His judgments were quite harsh, but the six later came to be called the Rokkasen, the Six Poetic Sages, and were highly praised as great poets.

See Ki no Tsurayuki's judgments of the six poets.

One of the Six Poetic Sages, Ōtomo no Kuronushi, has no poem in the Hyakunin Isshu, while the other five were all chosen.

A Haiku by Kobayashi Issa
Based on Henjō's Poem

Issa moves the scene to spring, when the rapeseed flowers are in full bloom, and writes about a free-spirited cat.

In Japanese

なの花はなも 猫ねこの通かよひ路じ 吹ふとぢよ nanohanamo nekonokayohiji futojiyo Kobayashi Issa

In English

Rapeseed flowers, blow in the wind
and close the cat's path.

A Poem That Sees Willow Branches as Thread
and White Dew as Pearls

With a delicate eye, Henjō captures the moment a spring willow shines with morning dew.

In Japanese

浅緑あさみどり 糸縒いとよりかけて 白露しらつゆを
玉たまにも貫つらぬける 春はるの柳やなぎか asamidori itoyorikakete shiratsuyuo
tamanimotsuranukeru harunoyanagika
Kokin Wakashū, High Priest Henjō

In English

The spring willow twists its pale green branches like thread, and strings the white dew on them like pearls.

A Poem Henjō Wrote When the Mourning
for Emperor Ninmyō Ended

In the next poem, the official period of mourning for Emperor Ninmyō has ended and everyone around him has moved on, but Henjō alone is still left in his grief. The heartfelt feelings of Henjō, who had just become a monk, are preserved in the Kokin Wakashū.

In Japanese

みな人びとは 花はなの衣ころもに なりぬなり
苔こけの袂たもとよ 乾かわきだにせよ minabitoha hananokoromoni narinunari
kokenotamotoyo kawakidaniseyo
Kokin Wakashū, High Priest Henjō

In English

Everyone has taken off their mourning clothes and put on bright robes. O sleeves of my monk's robe, wet with tears, at least please dry.

A Poem in Memory of Prince Tsuneyasu, Son of Emperor Ninmyō
Just before he died, Prince Tsuneyasu gave Urin-in, his residence, to Henjō.
This poem is in the Kokin Wakashū, whose headnote says it was "written while standing in the shade of a tree at Urin-in."
It is thought that Henjō, crushed by the prince's death, wrote it at Urin-in.

In Japanese

わび人びとの わきて立たち寄よる 木この下もとは
たのむかげなく 紅葉もみぢ散ちりけり wabibitono wakitetachiyoru konomotoha
tanomukagenaku momijichirikeri
Kokin Wakashū, High Priest Henjō

In English

The tree I come to for comfort in my sorrow gives no shade to rely on, for its autumn leaves have all fallen.

A Poem That Coolly Looks at
the Bloom of Young Women
The next poem is in the Kokin Wakashū's section of haikaika (humorous poems).
It gently warns young women who are carried away by their youth: "Your bloom will soon be over."
Ominaeshi (patrinia) flowers

In Japanese

秋あきの野のに なまめき立てる
女郎花おみなえし
あなかしがまし 花はなも一時ひととき akinononi namamekitateru ominaeshi
anakashigamashi hanamohitotoki
Kokin Wakashū, High Priest Henjō

In English

How noisy are the ominaeshi flowers ("maiden flowers"), showing off their charms in the autumn fields! Even beautiful flowers last only a short while.

A Poem Hoping Visitors Would Stay
the Night at His Temple
Henjō wrote the next poem hoping that people who came to pray at his temple would not go home, but stay the night. The wish not to let something beautiful or a precious time end here is the same idea as in his Hyakunin Isshu poem, "Amatsukaze...," where he asks the wind to close the path through the clouds.

In Japanese

夕暮ゆうぐれの 籬まがきは山やまと 見みえななむ
夜よるは越こえじと 宿やどりとるべく yuugureno magakihayamato mienanamu
yoruhakoejito yadoritorubeku
Kokin Wakashū, High Priest Henjō

In English

I wish the hedge at dusk would look like a mountain. Then (the visitors to this Gangyō-ji temple) would decide not to cross it at night, and stay here.

Gangyō-ji Temple
Gangyō-ji Temple

A Tendai temple in Kitakazan Kawara-chō, Yamashina Ward, Kyoto. In 868, High Priest Henjō proposed it to celebrate the birth of the 57th emperor, Emperor Yōzei, and Fujiwara no Takaiko (Emperor Seiwa's consort and Emperor Yōzei's mother) built it.

Later, in 986, the 65th emperor, Emperor Kazan, was tricked by Fujiwara no Kaneie and his son Michikane into becoming a monk at this temple.
Kaneie then put his daughter Senshi's son on the throne as Emperor Ichijō. This political upheaval, which included Emperor Kazan becoming a monk, is called the Kanna Incident.

Ukiyo-e by Katsushika Hokusai
Woodblock print by Katsushika Hokusai
© The Trustees of the British Museum

This print is from One Hundred Poems Explained by the Nurse (Hyakunin Isshu Uba ga Etoki) by Katsushika Hokusai, an ukiyo-e artist of the Edo period. The idea of the series is a nurse explaining the Hyakunin Isshu poems with easy-to-understand pictures. On the stage, women performing the Gosechi dance and court musicians are drawn.

Utagawa Kuniyoshi's Hyakunin Isshu no Uchi
Ukiyo-e of High Priest Henjō by Utagawa Kuniyoshi
British Museum, Public domain, via Wikimedia Commons

This ukiyo-e is by Utagawa Kuniyoshi, an artist of the Edo period.
It shows a scene that matches the poem in the Hyakunin Isshu. No dancers are to be seen, but a huge, beautifully decorated dadaiko (great drum) catches the eye.