Shigure no Hyakunin Isshu

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Japanese

English

Audio: NHK Creative Library

Read by LibriVox volunteer Larry Wilson.
Audio courtesy of LibriVox

在原業平朝臣ありわらのなりひらあそん

ちはやぶる
神代かみよもきかず
竜田川たつたがわ
から紅くれないに
水みずくくるとは

Ariwara no Narihira Ason

からくれな
ゐにみつく
くるとは

kimariji

ちは

Previous
Poem 17
ちはやぶる 神代かみよもきかず 竜田川たつたがわ
から紅くれないに 水みずくくるとは
Author: Ariwara no Narihira Ason (825–880)
Source: Kokin Wakashū, Autumn
English Verse Translation
All red with leaves Tatsuta's stream So softly purls along, The everlasting Gods themselves, Who judge 'twixt right and wrong, Ne'er heard so sweet a song.
— William N. Porter, 1909
Modern Translation
Even the ancient gods never heard of this — the Tatsuta River, dyeing its waters a deep crimson with fallen maple leaves.
Commentary
The Kokin Wakashū says this was written about a painted screen showing autumn leaves flowing down the Tatsuta River, at the invitation of Fujiwara no Takaiko. She and Narihira had once been lovers, but she had become a consort of Emperor Seiwa, far above him. He is thought to have hidden in this poem the love he could no longer speak.
About the Poet
Ariwara no Narihira was a son of Prince Abo (a son of Emperor Heizei) but became a commoner. Free-spirited and a gifted poet, he is believed to be the hero of The Tales of Ise.
Poem Illustration
Illustration for Ariwara no Narihira Ason's poem

This image is based on an illustration from William N. Porter's A Hundred Verses from Old Japan, his 1909 English translation of the Hyakunin Isshu published in England, colorized and reworked using Adobe Firefly (generative AI).

Ariwara no Narihira: A Short Timeline
825
Born as a son of Prince Abo
826
Given the family name Ariwara
841
Becomes an officer of the Right Palace Guards
849
Given Junior Fifth Rank, Lower Grade
865
Becomes Head of the Right Stables
877
Given Junior Fourth Rank, Upper Grade, and becomes Acting Middle Captain of the Right Palace Guards
879
Becomes Head Chamberlain (Kurōdo no Tō)
880
Dies
Notes
  • Counted as one of the Six Immortal Poets
  • Counted as one of the Thirty-Six Immortal Poets
Ariwara no Narihira's Family Tree
  • Brown textEmperor
  • Emperor's number in the line of succession
  • Hyakunin Isshu poem number (click to go to the poem page)
  • =Marriage
100%
Lovers in The Tales of Ise Heizei51 Fuyutsugu Prince Abo Yoshifusa Kiyohime Ninmyō54 Nobuko Nagara Yoshikado Ariwara no Yukihira16 Ariwara no Narihira17 Akirakeiko Montoku55 Mototsune Kunitsune Seiwa56 Takaiko Tokihira Nakahira Teishin-kō26 Onshi Uda59 Yōzei1357

Ariwara no Narihira was born the fifth son of Prince Abo, a son of Emperor Heizei. His mother was Princess Ito, a daughter of Emperor Kanmu, so both his father and his mother came from the imperial family.

Prince Abo, however, was caught up in the Kusuko Incident and sent away to Dazaifu in Kyushu as its acting governor-general, which took him far from the throne. Later he asked the court to let his children leave the imperial family and become subjects. In 826, Narihira, together with his elder half-brother Yukihira and others, left the imperial family and was given the family name "Ariwara no Ason."

The Tales of Ise describes a deep love between Narihira and Fujiwara no Takaiko, who was later called the "Nijō Empress." When it was decided that Takaiko would enter the palace as a consort of Emperor Seiwa, the two tried to run away together. But on the way, Takaiko's elder brothers caught up with them and took her back.
After that, women who remind readers of Takaiko appear again and again in The Tales of Ise, in stories of love and parting with Narihira.

Appendix
Tatsuta-age
Tatsuta-age (Japanese fried chicken)
Tatsuta-age is Japanese fried chicken marinated in soy sauce, which turns its surface red when fried. Its name is said to come from this poem, which describes autumn leaves floating on the Tatsuta River.
Prince Abo
Prince Abo
The first son of Emperor Heizei, and the father of Ariwara no Yukihira and Ariwara no Narihira.
He is also said to be the real grandfather of Ōe no Chisato.
Why Narihira Left the Imperial Family
After stepping down, Retired Emperor Heizei, urged on by Fujiwara no Kusuko, tried to take back power and clashed with his younger brother, Emperor Saga. Because of this "Retired Emperor Heizei Incident" (also called the "Kusuko Incident"), Heizei's first son, Prince Abo, was also punished and sent away to Dazaifu as its acting governor-general. Later, Prince Abo asked the emperor to let his sons leave the imperial family and become subjects, and Yukihira and Narihira were given the family name "Ariwara."
The Six Poetic Sages (Rokkasen)
The Six Poetic Sages Ono no Komachi Fun'ya no Yasuhide High Priest Henjō Priest Kisen
Click a poet to go to their poem page.

When the Kokin Wakashū was compiled, these six poets, including Ariwara no Narihira, were very famous poets of the generation before. In the Japanese preface to the Kokin Wakashū, Ki no Tsurayuki picked them out as "people whose names were known in recent times" and judged their poetry. His judgments were quite harsh, but the six later came to be called the Rokkasen, the Six Poetic Sages, and were highly praised as great poets.

See Ki no Tsurayuki's judgments of the six poets.

One of the Six Poetic Sages, Ōtomo no Kuronushi, has no poem in the Hyakunin Isshu, while the other five were all chosen.

Narihira, the Hero of The Tales of Ise
The Tales of Ise is a collection of poem-tales, mostly about love, made in the early Heian period. Each story begins "Long ago, there was a man." Because of this opening line, the hero is called Mukashi-otoko, "the man of long ago." Of the roughly 200 poems he writes in the work, as many as 34 are known to be by Ariwara no Narihira, so Narihira is thought to be the model for the hero.
Poems Beginning "Chihayaburu"

The next two poems are an exchange in The Tales of Ise between the hero (Ariwara no Narihira) and a lady-in-waiting at the shrine of the Ise Priestess who had fallen in love with him.

The Lady-in-Waiting's Poem

In Japanese

ちはやぶる 神かみの斎垣いかきも 越こえぬべし
大宮人おおみやびとの 見みまくほしさに chihayaburu kaminoikakimo koenubeshi
oomiyabitono mimakuhoshisani
The Tales of Ise

In English

I feel I could even cross the sacred fence of the gods,
just to catch a glimpse of you, a man of the court.

Ariwara no Narihira's Poem

In Japanese

恋こひしくは 来きても見みよかし ちはやぶる
神かみのいさむる 道みちならなくに kohishikuha kitemomiyokashi chihayaburu
kaminoisamuru michinaranakuni
The Tales of Ise

In English

If you miss me, come and see me.
This is not a path the gods forbid.

A Poem from "The Journey East" in The Tales of Ise
The next poem appears in "The Journey East" (Azuma Kudari) in The Tales of Ise. On a journey to the eastern provinces, at the Sumida River between the provinces of Musashi and Shimōsa, the hero learns that the birds he sees are called miyakodori, "birds of the capital," and writes this poem thinking of the woman he loves, whom he left in the capital.

In Japanese

名なにし負おはば いざ言こと問とはむ 都鳥みやこどり
わが思おもふ人ひとは ありやなしやと

nanishiohaba izakototohamu miyakodori
wagaomofuhitoha ariyanashiyato
The Tales of Ise, Ariwara no Narihira
A black-headed gull

In English

Bird of the capital,
if you are true to your name, tell me:
is the one I love in the capital
still well, or not?

The miyakodori is the black-headed gull. Today it is known as the official bird of Tokyo.

Kototoi Dango and Kototoi Monaka
Kototoi Dango
Kototoi Monaka
The Mukōjima Kototoi Dango shop

Kototoi Dango, named after Narihira's poem "Na ni shi owaba iza koto towamu miyakodori...," was created at the end of the Edo period.

At Mukōjima Kototoi Dango, a long-established shop in Mukōjima on the banks of the Sumida River, these dumplings, served without skewers, have been made in the same place since the shop opened.

The round dumplings come in three colors, white, yellow, and black. Because they are not put together on one skewer, you can enjoy the flavor of each one. Kototoi Monaka, a wafer sweet shaped like a miyakodori, is also recommended: it looks lovely and has the same gentle sweetness as the dumplings.

Both are carefully made from selected Japanese ingredients and have been loved by many people across the ages.

In the shop, you can take your time and enjoy these sweets with fragrant tea.

March 20, 2025

Kototoi Bridge
Kototoi Bridge
Kototoi Bridge

Kototoi Bridge crosses the Sumida River. Its name is said to come from Narihira's poem. As I looked out over the river from the bridge, black-headed gulls were flying gracefully.

The story goes that when Narihira first saw these birds, he did not know their name and asked the ferryman. The ferryman told him they were called miyakodori, "birds of the capital." Hearing the name reminded Narihira of the woman he loved, whom he had left in the capital, and he wrote the poem "Na ni shi owaba iza koto towamu miyakodori waga omou hito wa ari ya nashi ya to."

March 20, 2025

Another Poem from "The Journey East" in The Tales of Ise
The next poem also appears in "The Journey East" in The Tales of Ise. On his journey to the eastern provinces, the hero saw kakitsubata (rabbit-ear irises) blooming at Yatsuhashi in the province of Mikawa and wrote this poem. The word tsuma in the poem is a kakekotoba (a word with two meanings): 妻つま, "wife," and 褄つま, "the hem of a robe." The poem also places the five sounds "ka-ki-tsu-ha-ta" at the start of its five lines. This technique is called oriku.

In Japanese

唐衣からころも 着きつつなれにし つましあれば
はるばる来きぬる 旅たびをしぞ思おもふ

karakoromo kitsutsunarenishi tsumashiareba
harubarukinuru tabioshizoomofu
The Tales of Ise, Ariwara no Narihira

In English

Like a Chinese robe I have worn so long it feels part of me, I have a dear wife I left in the capital, so I feel deeply how far I have come on this journey.

Ukiyo-e by Katsukawa Shunshō
Ukiyo-e of Ariwara no Narihira by Katsukawa Shunshō
Katsukawa Shunshō, Public domain, via Wikimedia Commons

This ukiyo-e shows Ariwara no Narihira writing the poem "Na ni shi owaba iza koto towamu...." Later, a nearby dumpling shop began selling Kototoi Dango, named after the poem. They became popular, and it is said that this is why the nearby bridge came to be called Kototoi Bridge, and the street Kototoi Street.

The birds floating on the river in the upper left of the print are miyakodori. There are several theories, but the most widely accepted one is that the miyakodori is the black-headed gull, which is now known as the official bird of Tokyo.

Ogata Kōrin's Irises at Yatsuhashi

Irises at Yatsuhashi (Yatsuhashi-zu Byōbu), a folding screen by the Edo-period painter and craftsman Ogata Kōrin, takes as its subject the story of Yatsuhashi in Mikawa from "The Journey East" in The Tales of Ise.

Irises at Yatsuhashi by Ogata Kōrin
Public domain (The Metropolitan Museum of Art)
A Poem from "Nagisa-no-in" in The Tales of Ise
The next poem also appears in The Tales of Ise.
Ariwara no Narihira wrote it while viewing cherry blossoms at Nagisa-no-in, the country house of Prince Koretaka (the first son of Emperor Montoku) at Katano-ga-hara (now Hirakata City, Osaka).

In Japanese

世よの中なかに たえて桜さくらの なかりせば
春はるの心こころは のどけからまし

yononakani taetesakurano nakariseba
harunokokoroha nodokekaramashi

In English

If there were no cherry blossoms at all in this world,
how calm people's hearts would be in spring.

The Site of Nagisa-no-in
The site of Nagisa-no-in
(Photo taken August 10, 2026)

Nagisa-motomachi, Hirakata City, Osaka. This was the country house of Prince Koretaka, the first son of Emperor Montoku. The Tales of Ise describes Prince Koretaka, Ariwara no Narihira, and others visiting this place and enjoying the cherry blossoms. Narihira's poem "Yo no naka ni taete sakura no nakariseba haru no kokoro wa nodokekaramashi" is said to have been written at Nagisa-no-in. Today a stone monument with this poem stands at the site.

Folding Screen of Cherry-Blossom Viewing

This folding screen shows a scene from "Nagisa-no-in" in The Tales of Ise. It is a work by Sumiyoshi Gukei, a painter of the early Edo period.

Folding Screen of Cherry-Blossom Viewing
Source: ColBase (https://colbase.nich.go.jp/)
Narihira's Farewell Poem
The next poem is the last one in The Tales of Ise. Its headnote says, "Long ago, a man fell ill and felt that he was about to die." It is Narihira's death poem, written when he fell ill and knew his end was near.

In Japanese

つひに行ゆく 道みちとはかねて 聞ききしかど
昨日きのう今日けふとは 思おもはざりしを tsuhiniyuku michitohakanete kikishikado
kinoukefutoha omohazarishio

In English

I had long heard it is the road we all must take in the end,
but I never thought it would be so soon, today or tomorrow.
Ukiyo-e by Tsukioka Yoshitoshi
Tsukioka Yoshitoshi, Narihira Carrying the Lady Nijō on His Back as They Flee
Yoshitoshi, Public domain, via Wikimedia Commons

This ukiyo-e is Narihira Ason Carrying the Lady Nijō on His Back as They Flee by Tsukioka Yoshitoshi. The Tales of Ise has a scene in which Narihira runs away with the Nijō Empress (Fujiwara no Takaiko), carrying her on his back, and this print shows that scene.

Ukiyo-e by Katsushika Hokusai
Ariwara no Narihira, from One Hundred Poems Explained by the Nurse, by Katsushika Hokusai
Katsushika Hokusai, CC0, via Wikimedia Commons

This print is from One Hundred Poems Explained by the Nurse (Hyakunin Isshu Uba ga Etoki) by Katsushika Hokusai, an ukiyo-e artist of the Edo period. The idea of the series is a nurse explaining the Hyakunin Isshu poems with easy-to-understand pictures. You can see people on a bridge enjoying the autumn leaves floating down the Tatsuta River, and people fishing on the riverbank. The words mizu kukuru in the poem are usually taken to mean "tie-dyeing," but they are sometimes read as "flowing under the water." Looking at Hokusai's print, which reading do you think it shows?

Utagawa Kuniyoshi's Hyakunin Isshu no Uchi
Ukiyo-e of Ariwara no Narihira by Utagawa Kuniyoshi
Utagawa Kuniyoshi, CC0, via Wikimedia Commons

This ukiyo-e is by Utagawa Kuniyoshi, an artist of the Edo period.
It shows a scene that matches the poem in the Hyakunin Isshu.

Narihira's Hyakunin Isshu poem was written while looking at a painted folding screen, but this print shows the autumn leaves spreading over the Tatsuta River as if he were really seeing them.

Perhaps Narihira has come across a scene just like the one in his poem, and is fondly remembering the day he wrote it for the screen.