Shigure no Hyakunin Isshu

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Japanese

English

Audio: NHK Creative Library

Read by LibriVox volunteer Larry Wilson.
Audio courtesy of LibriVox

源宗于朝臣みなもとのむねゆきあそん

山里やまざとは
冬ふゆぞさびしさ
まさりける
人目ひとめも草くさも
かれぬと思おもへえば

Minamoto no Muneyuki Ason

ひとめもく
さもかれぬ
とおもへは

kimariji

やまざ

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Poem 28
山里やまざとは 冬ふゆぞさびしさ まさりける
人目ひとめも草くさも かれぬと思おもへえば
Author: Minamoto no Muneyuki Ason (dates unknown–940)
Source: Kokin Wakashū, Winter
English Verse Translation
The mountain village solitude In winter time I dread; It seems as if, when friends are gone, And trees their leaves have shed, All men and plants are dead.
— William N. Porter, 1909
Modern Translation
In a mountain village, loneliness deepens in winter. Not only people disappear — the grass too withers away.
Commentary
A mountain village is lonely, and in winter it is lonelier still. No visitors come, and the grass and trees wither. This scene seems to match the poet's grief over his stalled career; he may have seen himself in the forgotten village.
About the Poet
Minamoto no Muneyuki was a grandson of Emperor Kōkō but became a commoner and served the court. Emperor Uda praised his poems, but he never rose to high rank. Heian emperors had many wives and children, so grandsons rarely received special treatment.
Poem Illustration
Illustration for Minamoto no Muneyuki Ason's poem

This image is based on an illustration from William N. Porter's A Hundred Verses from Old Japan, his 1909 English translation of the Hyakunin Isshu published in England, colorized and reworked using Adobe Firefly (generative AI).

Minamoto no Muneyuki: A Short Timeline
894
Given the family name Minamoto and Junior Fourth Rank, Lower Grade
905
Becomes Senior Assistant Minister of Military Affairs
908
Becomes Head of the Right Stables
915
Becomes governor of Sagami Province
933
Becomes Master of the Right Capital
939
Given Senior Fourth Rank, Lower Grade
940
Dies
Notes
  • Counted as one of the Thirty-Six Immortal Poets
Minamoto no Muneyuki Ason's Family Tree
  • Brown textEmperor
  • Emperor's number in the line of succession
  • Hyakunin Isshu poem number (click to go to the poem page)
  • Generations left out
  • =Marriage
100%
2 generations left out3 generations left out Kōkō1558 Princess Nakako Prince Koretada Uda59 Minamoto no Muneyuki28Told Emperor Uda of his hard luck in a poem Taira no Kanemori40 Minamoto no Tsunenobu71 Minamoto no Toshiyori74 Shun'e85

Minamoto no Muneyuki was a grandson of Emperor Kōkō and a nephew of Emperor Uda.

He was given the family name Minamoto and left the imperial family to become a subject. He did not rise far in rank, and he told Emperor Uda of his hard luck in a poem. The Tales of Yamato says, however, that he still was not promoted.

Appendix
A Poem to Emperor Uda About His Hard Luck
Minamoto no Muneyuki wrote this poem on miru seaweed still attached to a stone, which had been presented to Emperor Uda from the province of Kii.

In Japanese

沖おきつ風かぜ ふけゐの浦うらに 立たつ浪なみの
名残なごりにさへや 我われはしづまむ okitsukaze fukeinourani tatsunamino
nagorinisaheya warehashizumamu
The Tales of Yamato, Minamoto no Muneyuki

In English

The wind blows from the open sea, but I am not lifted even by the last of the waves rising at Fukei Bay; (like seaweed clinging to a stone) I will sink to the bottom.

Miru (Codium Seaweed)
Miru (codium seaweed)
Flyingdream at Wikipedia, Public domain, via Wikimedia Commons

Miru is a dark green seaweed that grows on rocks on the floor of shallow seas. It is not often eaten today, but long ago it was a common seaweed for food.

Because of its unusual shape and beauty, miru was used as a decorative pattern called mirumon in clothing designs of the Heian period.

Ukiyo-e by Katsushika Hokusai
Minamoto no Muneyuki Ason, from One Hundred Poems Explained by the Nurse, by Katsushika Hokusai
Katsushika Hokusai, CC0, via Wikimedia Commons

This print is from One Hundred Poems Explained by the Nurse (Hyakunin Isshu Uba ga Etoki) by Katsushika Hokusai, an ukiyo-e artist of the Edo period. The idea of the series is a nurse explaining the Hyakunin Isshu poems with easy-to-understand pictures.

It shows fishermen warming themselves in a mountain village in winter. Unlike the mood of the poem, Hokusai's picture is full of cheerfulness.