Shigure no Hyakunin Isshu

Top Columns Apps Japanese Poem list & search

Front

Back

Japanese

English

Audio: NHK Creative Library

Read by LibriVox volunteer Larry Wilson.
Audio courtesy of LibriVox (Public Domain).

紀友則きのとものり

久方ひさかた
ひかりのどけき
はる
しづこころなく
はなるら

Ki no Tomonori

しつこころ
なくはなの
ちるらむ

kimariji

ひさ

Previous
Poem 33
久方ひさかたひかりのどけき はる
しづこころなく はなるら
Author: Ki no Tomonori (dates unknown–c. 904)
Source: Kokin Wakashū, Spring
English Verse Translation
The spring has come, and once again The sun shines in the sky; So gently smile the heavens, that It almost makes me cry, When blossoms droop and die.
— William N. Porter, 1909
Modern Translation
In the peaceful light of a spring day, why do the cherry blossoms scatter so restlessly?
Commentary
According to the headnote in the Ki no Tomonori Shū, this poem was composed for a poetry contest held at the Empress's palace during the Kanpyō era, likely on the set theme of "falling blossoms." On a calm, windless spring day, the cherry blossoms flutter down all the same — and the poet personifies them, as though they were rushing to scatter without a moment's peace of mind. The poem conveys both the fleeting nature of the blossoms' life, gone almost as soon as they bloom, and the poet's own delicate sensitivity in watching them fall.
About the Poet
Ki no Tomonori was a cousin of Ki no Tsurayuki, who wrote the Tosa Nikki and the kana preface to the Kokin Wakashū. Tomonori was himself one of the Kokin Wakashū's compilers, but died before the collection was completed. His poetic talent was highly regarded — many of his works were included in imperially commissioned anthologies, and he was named one of the Thirty-Six Poetry Immortals.
Ki no Tomonori's Chart of the Heart

A chart and a modern-language reflection of the poet's inner feelings.

The Poet's Feelings (A Personal Interpretation)

The sky is so calm and still —
why must the cherry blossoms fall in such a hurry?

I want to hold them here,
but I cannot.

Poem Illustration
Illustration for Ki no Tomonori's poem

This image is based on an illustration from William N. Porter's A Hundred Verses from Old Japan, his 1909 English translation of the Hyakunin Isshu published in England, colorized and reworked using Adobe Firefly (generative AI).