Shigure no Hyakunin Isshu

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Audio: NHK Creative Library

Read by LibriVox volunteer Larry Wilson.
Audio courtesy of LibriVox (Public Domain).

謙徳公けんとくこう

れとも
べき人は
おもえで
のいたらに
なりぬべきかな

Kentoku-kō

みのいたつ
らになりぬ
へきかな

kimariji

あわれ

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Poem 45
れとも いべき人は おもえで
のいたらに なりぬべきかな
Author: Kentoku-kō (924–972)
Source: Shūi Wakashū, Love
English Verse Translation
I dare not hope my lady-love Will smile on me again; She knows no Pity, and my life I care not to retain, Since all my prayers are vain.
— William N. Porter, 1909
Modern Translation
There is no one who might show even a little compassion. I feel as though my life will simply fade away, just like that.
Commentary
According to the headnote in the Shūi Wakashū, this poem expresses the pain of heartbreak. That the poet — a man later known for reaching the very heights of political power — would lay bare such a crushed heart and plead simply to be pitied seems to underscore how, no matter how powerful a person becomes, love never quite bends to their will.
About the Poet
Kentoku-kō is the posthumous title of Fujiwara no Koretada. Koretada was the grandson of Teishin-kō (Poem 26), and his father was the Minister of the Right, Fujiwara no Morosuke. Though his father had left him instructions to live frugally, Koretada led a life of extravagant luxury. Late in life, after his daughter gave birth to Prince Morosada (later Emperor Kazan), he rose to the position of regent and Chancellor of the Realm — but died the following year at the age of forty-eight. Fujiwara no Yoshitaka (Poem 50) was his third son.
Kentoku-kō's Chart of the Heart

A chart and a modern-language reflection of the poet's inner feelings.

The Poet's Feelings (A Personal Interpretation)

You won't turn to look at me anymore.
No one else seems to notice my sorrow, either.

If I simply faded away like this,
I doubt anyone would even know.

Poem Illustration
Illustration for Kentoku-kō's poem

This image is based on an illustration from William N. Porter's A Hundred Verses from Old Japan, his 1909 English translation of the Hyakunin Isshu published in England, colorized and reworked using Adobe Firefly (generative AI).