Shigure no Hyakunin Isshu

Top Articles Apps Japanese Hyakunin Isshu Poem List

The Thirty-Six Immortal Poets:
Portraits and Poems

The Sanjūrokunin-sen (Selection of Thirty-Six Poets), a collection of fine poems compiled by Fujiwara no Kintō, sets its poets out in pairs (tsugai), one on the left and one on the right, in the form of a poetry contest. These poets became known as the Thirty-Six Immortal Poets (Sanjūrokkasen). Many of them were also chosen for the Ogura Hyakunin Isshu, so they matter a great deal when we think about how the Hyakunin Isshu poets were selected. On this page the thirty-six poets appear in the order of the pairs in the Sanjūrokunin-sen, each with a portrait (kasen-e), the poem written on it in Japanese, romaji, and English, and a short biography.

Images: Wikimedia Commons (Public domain)
Original: "Thirty-Six Immortal Poets" plaques, Kotohira-gū Shrine

Pair 1

Kasen-e portrait of Kakinomoto no Hitomaro

LeftKakinomoto no Hitomaro

柿本人麻呂かきのもとのひとまろ

(Unknown–c. 708)

A court poet of the Asuka period who served in the reigns of Empress Jitō and Emperor Monmu. As the leading poet of the Man'yōshū, he left fine chōka (long poems) and tanka. Later generations honored him, together with Yamabe no Akahito, as a "saint of poetry" (kasei).

Go to Poem 3 of the Hyakunin Isshu
In Japanese ほのぼのと あかしの浦うらの 朝霧あさぎりに
島しまがくれゆく 舟ふねをしぞ思おもふ
honobonoto akashinourano asagirini
shimagakureyuku funeoshizoomofu
In English Through the morning mist over the bay of Akashi, as the day dimly breaks,
a boat sails on, hiding behind the islands — how deeply it moves me.
Kasen-e portrait of Ki no Tsurayuki

RightKi no Tsurayuki

紀貫之きのつらゆき

(c. 868–945)

The leading compiler of the Kokin Wakashū, who wrote its kana preface (Kanajo). He is also known as the author of the Tosa Diary.

Go to Poem 35 of the Hyakunin Isshu
In Japanese むすぶ手ての しづくに濁にごる 山やまの井いの
あかでも人ひとに 別わかれぬるかな
musubuteno shizukuninigoru yamanoino
akademohitoni wakarenurukana
In English Drops falling from my cupped hands cloud the mountain spring,
so I cannot drink my fill.
In the same way, we parted
before I could share my heart with you fully.

Pair 2

Kasen-e portrait of Ōshikōchi no Mitsune

LeftŌshikōchi no Mitsune

凡河内躬恒おおしこうちのみつね

(c. 859–c. 925)

One of the compilers of the Kokin Wakashū. Though his court rank was low, he was a poet on a par with Ki no Tsurayuki and was active at court poetry contests and in writing poems for folding screens (byōbu-uta).

Go to Poem 29 of the Hyakunin Isshu
In Japanese 住すみの江えの 松まつを秋風あきかぜ 吹ふくからに
声こえうちそふる 沖おきつ白波しらなみ
suminoeno matsuoakikaze fukukarani
koeuchisofuru okitsushiranami
In English When the autumn wind blows through the pines of Suminoe,
the white waves offshore roll in,
as if adding their voices to the wind in the pines.
Kasen-e portrait of Ise

RightIse

伊勢いせ

(c. 872–c. 938)

A lady-in-waiting to Onshi, empress of Emperor Uda. She bore the emperor a son and was called Ise no Miyasudokoro. Her 22 poems in the Kokin Wakashū are the most by any woman poet in it. Her daughter Nakatsukasa is also one of the Thirty-Six Immortal Poets.

Go to Poem 19 of the Hyakunin Isshu
In Japanese 三輪みわの山やま いかに待まち見みむ 年とし経ふとも
たづぬる人ひとも あらじと思おもへば
miwanoyama ikanimachimimu toshifutomo
tazunuruhitomo arajitoomoheba
In English How am I to wait for you at Miwa?
Even as the years go by,
I think no one will come to call.

Pair 3

Kasen-e portrait of Ōtomo no Yakamochi

LeftŌtomo no Yakamochi

大伴家持おおとものやかもち

(c. 718–785)

Son of Ōtomo no Tabito, he is thought to have played a major part in compiling the Man'yōshū. More of his poems are in the Man'yōshū than any other poet's.

Go to Poem 6 of the Hyakunin Isshu
In Japanese 巻向まきむくの 檜原ひばらもいまだ 曇くもらねば
小松こまつが原はらに 泡雪あわゆきぞ降ふる
makimukuno hibaramoimada kumoraneba
komatsugaharani awayukizofuru
In English The cypress forest on Mount Makimuku is not yet clouded,
yet on the plain of young pines at its foot
light, foamy snow is already falling.
Kasen-e portrait of Yamabe no Akahito

RightYamabe no Akahito

山部赤人やまべのあかひと

(Dates unknown)

A court poet of the Nara period. He excelled at poems that describe scenes of nature in a clear, pure style, and later generations honored him, together with Kakinomoto no Hitomaro, as a "saint of poetry."

Go to Poem 4 of the Hyakunin Isshu
In Japanese 明日あすからは 若菜わかな摘つまむと 標しめし野のに
昨日きのうも今日きょうも 雪ゆきは降ふりつつ
asukaraha wakanatsumamuto shimeshinoni
kinoumokyoumo yukihafuritsutsu
In English I marked off a field to pick young spring greens from tomorrow,
but yesterday and today too, the snow keeps falling.

Pair 4

Kasen-e portrait of Ariwara no Narihira

LeftAriwara no Narihira

在原業平ありわらのなりひら

(825–880)

Grandson of Emperor Heizei and one of the Six Immortal Poets (Rokkasen). Known for his passionate love poems, he is said to be the model for the "man of old" (mukashi otoko), the hero of The Tales of Ise.

Go to Poem 17 of the Hyakunin Isshu
In Japanese 世よの中なかに たえて桜さくらの なかりせば
春はるの心こころは のどけからまし
yononakani taetesakurano nakariseba
harunokokoroha nodokekaramashi
In English If there were no cherry blossoms at all in this world,
how calm our hearts would be in spring.
Kasen-e portrait of High Priest Henjō

RightHigh Priest Henjō

僧正遍昭そうじょうへんじょう

(816–890)

His name before becoming a monk was Yoshimine no Munesada. He served Emperor Ninmyō and became a monk when the emperor died. One of the Six Immortal Poets, and the father of Sosei.

Go to Poem 12 of the Hyakunin Isshu
In Japanese 末すえの露つゆ もとの雫しずくや 世よの中なかの
後おくれ先立さきだつ ためしなるらむ
suenotsuyu motonoshizukuya yononakano
okuresakidatsu tameshinaruramu
In English Dew on the tips of the leaves, drops at the roots —
is this an example of how, in this fleeting world,
some leave first and others are left behind?

Pair 5

Kasen-e portrait of Priest Sosei

LeftPriest Sosei

素性法師そせいほうし

(Dates unknown)

Son of Henjō. At his father's urging he became a monk while young. Many of his poems were chosen for the Kokin Wakashū, and he is a leading poet-monk of the reigns of Emperors Uda and Daigo.

Go to Poem 21 of the Hyakunin Isshu
In Japanese 見み渡わたせば 柳やなぎ桜さくらを こきまぜて
都みやこぞ春はるの 錦にしきなりける
miwataseba yanagisakurao kokimazete
miyakozoharuno nishikinarikeru
In English As I look out, willows and cherry blossoms are woven together —
the capital itself is spring's brocade.
Kasen-e portrait of Ki no Tomonori

RightKi no Tomonori

紀友則きのとものり

(c. 845–907)

A cousin of Ki no Tsurayuki. He was appointed one of the compilers of the Kokin Wakashū but died before it was finished.

Go to Poem 33 of the Hyakunin Isshu
In Japanese 夕ゆうされば 佐保さほの川原かわらの 川霧かわぎりに
友ともまどはせる 千鳥ちどり鳴なくなり
yuusareba sahonokawarano kawagirini
tomomadohaseru chidorinakunari
In English As evening falls, river mist rises over the banks of the Saho River,
and a plover that has lost its companions cries out.

Pair 6

Kasen-e portrait of Sarumaru Dayū

LeftSarumaru Dayū

猿丸大夫さるまるだゆう

(Dates unknown)

A legendary poet whose life is completely unknown. Some even doubt that he existed, and legends about him are told in many places.

Go to Poem 5 of the Hyakunin Isshu
In Japanese 奥山おくやまに 紅葉もみじ踏ふみ分わけ 鳴なく鹿しかの
声こえ聞きく時ときぞ 秋あきは悲かなしき
okuyamani momijifumiwake nakushikano
koekikutokizo akihakanashiki
In English Deep in the mountains, a deer cries as it treads through the fallen autumn leaves.
When I hear its voice, autumn feels sadder than ever.
Kasen-e portrait of Ono no Komachi

RightOno no Komachi

小野小町おののこまち

(Dates unknown)

A woman poet of about the time of Emperor Ninmyō, and the only woman among the Six Immortal Poets. Famous as a great beauty, she is the subject of many legends told across Japan.

Go to Poem 9 of the Hyakunin Isshu
In Japanese 色いろ見みえで うつろふものは 世よの中なかの
人ひとの心こころの 花はなにぞありける
iromiede utsurofumonoha yononakano
hitonokokorono hananizoarikeru
In English What fades without showing its color
is the flower of a lover's heart.

Pair 7

Kasen-e portrait of Fujiwara no Kanesuke

LeftFujiwara no Kanesuke

藤原兼輔ふじわらのかねすけ

(877–933)

He was called the Tsutsumi Middle Counselor (Tsutsumi Chūnagon) because his mansion stood by the embankment (tsutsumi) of the Kamo River. He supported poets such as Ki no Tsurayuki, and he was the great-grandfather of Murasaki Shikibu.

Go to Poem 27 of the Hyakunin Isshu
In Japanese 人ひとの親おやの 心こころは闇やみに あらねども
子こを思おもふ道みちに 惑まどひぬるかな
hitonooyano kokorohayamini aranedomo
kooomofumichini madohinurukana
In English A parent's heart is not darkness,
yet on the path of caring for a child
one loses one's way as if in the dark.
Kasen-e portrait of Fujiwara no Asatada

RightFujiwara no Asatada

藤原朝忠ふじわらのあさただ

(910–967)

Son of Fujiwara no Sadakata, the Minister of the Right of Sanjō. He was also known as a master of the shō (a reed mouth organ) and did well at the Tentoku Palace Poetry Contest.

Go to Poem 44 of the Hyakunin Isshu
In Japanese 逢おふことの 絶たえてしなくは なかなかに
人ひとをも身みをも 恨うらみざらまし
ofukotono taeteshinakuha nakanakani
hitoomomiomo uramizaramashi
In English If we had never met at all,
I would not resent your coldness
or my own unhappy lot.

Pair 8

Kasen-e portrait of Fujiwara no Atsutada

LeftFujiwara no Atsutada

藤原敦忠ふじわらのあつただ

(906–943)

Son of Fujiwara no Tokihira, the Minister of the Left. Handsome and gifted in music, he was praised as a master of the biwa (lute), but he died young, at 38.

Go to Poem 43 of the Hyakunin Isshu
In Japanese 逢あひ見みての 後のちの心こころに くらぶれば
昔むかしはものを 思おもはざりけり
ahimiteno nochinokokoroni kurabureba
mukashihamonoo omohazarikeri
In English Compared with how I feel now that we have met and shared our love,
the longing I felt before was nothing at all.
Kasen-e portrait of Fujiwara no Takamitsu

RightFujiwara no Takamitsu

藤原高光ふじわらのたかみつ

(c. 939–994)

Son of Fujiwara no Morosuke, the Minister of the Right. Though great things were expected of him, he became a monk while young, first on Mount Hiei and later at Tōnomine. His renunciation is told in the mid-Heian kana tale Tōnomine Shōshō Monogatari.

In Japanese かくばかり 経へがたく見みゆる 世よの中なかに
うらやましくも 澄すめる月つきかな
kakubakari hegatakumiyuru yononakani
urayamashikumo sumerutsukikana
In English In a world that seems so hard to live in,
how enviably clear the moon shines.

Pair 9

Kasen-e portrait of Minamoto no Kintada Ason

LeftMinamoto no Kintada Ason

源公忠朝臣みなもとのきんただあそん

(889–948)

Grandson of Emperor Kōkō. He served Emperors Daigo and Suzaku. A man of refined taste, he was skilled at blending incense and at falconry. His son Minamoto no Saneakira is also one of the Thirty-Six Immortal Poets.

In Japanese 行ゆきやらで 山路やまじ暮くらしつ ほととぎす
今いまひと声こえの 聞きかまほしさに
yukiyarade yamajikurashitsu hototogisu
imahitokoeno kikamahoshisani
In English Unable to pass on, I spent the whole day on the mountain path,
longing to hear the cuckoo cry just once more.
Kasen-e portrait of Mibu no Tadamine

RightMibu no Tadamine

壬生忠岑みぶのただみね

(c. 860–c. 920)

One of the compilers of the Kokin Wakashū. Though of low rank, he was a gifted poet and is also said to have written Wakatai Jisshu (Ten Styles of Waka), a work on poetry. The father of Mibu no Tadami.

Go to Poem 30 of the Hyakunin Isshu
In Japanese 春はる立たつと 言いふばかりにや み吉野よしのの
山やまも霞かすみて 今朝けさは見みゆらむ
harutatsuto ifubakariniya miyoshinono
yamamokasumite kesahamiyuramu
In English Is it only because they say spring has begun
that even the mountains of Yoshino
look hazy this morning?

Pair 10

Kasen-e portrait of Saigū no Nyōgo

LeftSaigū no Nyōgo

斎宮女御さいぐうのにょうご

(929–985)

Princess Kishi, daughter of Prince Shigeakira. After serving as the Ise high priestess (saigū), she became a consort (nyōgo) of Emperor Murakami. She was known as a master of the koto.

In Japanese 琴ことの音ねに 峰みねの松風まつかぜ 通かよふらし
いづれの緒おより 調しらべ初そめけむ
kotononeni minenomatsukaze kayofurashi
izurenooyori shirabesomekemu
In English The wind in the pines on the peak seems to blend with the sound of the koto.
From which did the melody begin —
the koto's strings (o) or the mountain ridge (o)?
Kasen-e portrait of Ōnakatomi no Yorimoto

RightŌnakatomi no Yorimoto

大中臣頼基おおなかとみのよりもと

(c. 886–956 or 958)

A poet from a family of Shinto priests, he served as chief priest (saishu) of Ise Shrine. His son Ōnakatomi no Yoshinobu is also one of the Thirty-Six Immortal Poets.

In Japanese ひと節ふしに 千代ちよをこめたる 杖つえなれば
突つくとも尽つきじ 君きみがよはひは
hitofushini chiyookometaru tsuenareba
tsukutomotsukiji kimigayohahiha
In English Since this staff holds a thousand years in each of its joints,
however often it is struck on the ground (tsuku),
Her Majesty's years will never run out (tsuku).

Pair 11

Kasen-e portrait of Fujiwara no Toshiyuki

LeftFujiwara no Toshiyuki

藤原敏行ふじわらのとしゆき

(Unknown–901)

A poet of the reigns of Emperors Uda and Daigo. He was also a famous calligrapher and is said to have written the inscription on the bell of Jingo-ji Temple.

Go to Poem 18 of the Hyakunin Isshu
In Japanese 秋あき来きぬと 目めにはさやかに 見みえねども
風かぜの音おとにぞ おどろかれぬる
akikinuto menihasayakani mienedomo
kazenootonizo odorokarenuru
In English Though my eyes cannot clearly see that autumn has come,
the sound of the wind startles me into knowing it.
Kasen-e portrait of Minamoto no Shigeyuki

RightMinamoto no Shigeyuki

源重之みなもとのしげゆき

(Unknown–1000)

Great-grandson of Emperor Seiwa. He held a series of provincial posts, and in his later years he is said to have gone with Fujiwara no Sanekata, the new Governor of Mutsu, to that province and died there.

Go to Poem 48 of the Hyakunin Isshu
In Japanese 風かぜをいたみ 岩いわ打うつ波なみの おのれのみ
砕くだけてものを 思おもふころかな
kazeoitami iwautsunamino onorenomi
kudaketemonoo omofukorokana
In English Like waves that the strong wind drives against the rocks,
only I am shattered —
these days I am lost in love's sorrow.

Pair 12

Kasen-e portrait of Minamoto no Muneyuki

LeftMinamoto no Muneyuki

源宗于みなもとのむねゆき

(Unknown–940)

Grandson of Emperor Kōkō. He left the imperial family and took the surname Minamoto, but he did not rise far in rank, and some of his poems lament his misfortune.

Go to Poem 28 of the Hyakunin Isshu
In Japanese 常磐ときわなる 松まつの緑みどりも 春はる来くれば
今いまひとしほの 色いろまさりけり
tokiwanaru matsunomidorimo harukureba
imahitoshihono iromasarikeri
In English Even the evergreen pines,
when spring comes,
grow a shade deeper in color.
Kasen-e portrait of Minamoto no Saneakira

RightMinamoto no Saneakira

源信明みなもとのさねあきら

(910–970)

Son of Minamoto no Kintada. He had a love affair with the poet Nakatsukasa, and many of the poems they exchanged survive.

In Japanese あたら夜よの 月つきと花はなとを 同おなじくは
あはれ知しれらむ 人ひとに見みせばや
atarayono tsukitohanatoo onajikuha
ahareshireramu hitonimisebaya
In English The moon and blossoms of this night, too precious to waste —
if I could, I would show them
to someone who understands their beauty.

Pair 13

Kasen-e portrait of Fujiwara no Kiyotada

LeftFujiwara no Kiyotada

藤原清正ふじわらのきよただ

(Unknown–958)

Son of Fujiwara no Kanesuke, the Tsutsumi Middle Counselor. This poem is said to entrust to the crane his wish to become a courtier allowed in the palace again (tenjōbito, a "person above the clouds").

In Japanese 天あまつ風かぜ ふけゐの浦うらに ゐる鶴たづの
などか雲居くもいに 帰かえらざるべき
amatsukaze fukeinourani irutazuno
nadokakumoini kaerazarubeki
In English The crane at the bay of Fukei, where the heavenly wind blows —
why should it not go back to the clouds?
Kasen-e portrait of Minamoto no Shitagō

RightMinamoto no Shitagō

源順みなもとのしたごう

(911–983)

As one of the Five Men of the Pear Pavilion, he worked on compiling the Gosen Wakashū and on reading the Man'yōshū. He also edited the Wamyō Ruijushō, Japan's first dictionary of Chinese words with Japanese readings arranged by topic.

In Japanese 水みの面おもに 照てる月つきなみを 数かぞふれば
今宵こよいぞ秋あきの 最中もなかなりける
minoomoni terutsukinamio kazofureba
koyoizoakino monakanarikeru
In English The moon shines on the water of the pond, and ripples sparkle.
Counting the months (tsukinami), I see that tonight
is the very middle of autumn — the night of the harvest moon.

Pair 14

Kasen-e portrait of Fujiwara no Okikaze

LeftFujiwara no Okikaze

藤原興風ふじわらのおきかぜ

(Dates unknown)

A poet of the reigns of Emperors Uda and Daigo. He was also skilled at music and known as a master of the koto.

Go to Poem 34 of the Hyakunin Isshu
In Japanese 契ちぎりけむ 心こころぞつらき 織女たなばたの
年としにひとたび 逢あふは逢あふかは
chigirikemu kokorozotsuraki tanabatano
toshinihitotabi afuhaafukaha
In English How sad is the heart of the Weaver Maid,
who promised to meet only once a year.
Can meeting just once a year really be called meeting?
Kasen-e portrait of Kiyohara no Motosuke

RightKiyohara no Motosuke

清原元輔きよはらのもとすけ

(908–990)

Grandson of Kiyohara no Fukayabu and father of Sei Shōnagon. As one of the Five Men of the Pear Pavilion, he served as a compiler of the Gosen Wakashū.

Go to Poem 42 of the Hyakunin Isshu
In Japanese 音無おとなしの 川かわとぞつひに 流ながれ出いづる
言いはで物もの思おもふ 人ひとの涙なみだは
otonashino kawatozotsuhini nagareizuru
ihademonoomofu hitononamidaha
In English At last they have flowed out, like the Otonashi ("Soundless") River —
the tears of one who loves without a word.

Pair 15

Kasen-e portrait of Sakanoue no Korenori

LeftSakanoue no Korenori

坂上是則さかのうえのこれのり

(Unknown–930)

A descendant of Sakanoue no Tamuramaro and a poet of the reign of Emperor Daigo. He is also known as a master of kemari (court football).

Go to Poem 31 of the Hyakunin Isshu
In Japanese み吉野よしのの 山やまの白雪しらゆき 積つもるらし
ふるさと寒さむく なりまさるなり
miyoshinono yamanoshirayuki tsumorurashi
furusatosamuku narimasarunari
In English Snow must be piling up on the mountains of fair Yoshino,
for here in the old capital it grows colder and colder.
Kasen-e portrait of Fujiwara no Motozane

RightFujiwara no Motozane

藤原元真ふじわらのもとざね

(Dates unknown)

A poet of the reign of Emperor Murakami. A noble of middle rank who served as a provincial official, he left a personal poetry collection, the Motozane-shū.

In Japanese 咲さきにけり 我わが山里やまざとの 卯うの花はなは
垣根かきねに消きえぬ 雪ゆきと見みるまで
sakinikeri wagayamazatono unohanaha
kakinenikienu yukitomirumade
In English The deutzia (u no hana) has bloomed at my mountain home,
so white that the hedge seems covered in snow that never melts.

Pair 16

Kasen-e portrait of Ko-ōkimi

LeftKo-ōkimi

小大君こおおきみ

(Dates unknown)

A lady-in-waiting who served Emperor Sanjō while he was crown prince; she was also called Tōgū no Sakon. She is known for her witty poems.

In Japanese 岩橋いわはしの 夜よるの契ちぎりも 絶たえぬべし
明あくるわびしき 葛城かつらぎの神かみ
iwahashino yorunochigirimo taenubeshi
akuruwabishiki katsuraginokami
In English Like the stone bridge at Kume, left unfinished, our nights together must come to an end.
Like the god of Katsuragi, ashamed of his looks, I dread the dawn.
Kasen-e portrait of Fujiwara no Nakafumi

RightFujiwara no Nakafumi

藤原仲文ふじわらのなかふみ

(923–992)

He served Emperor Reizei while he was crown prince and later held a series of provincial posts. In this poem he links the long night of waiting for the moon to rise with his own old age.

In Japanese 有明ありあけの 月つきの光ひかりを 待まつほどに
我わが世よのいたく 更ふけにけるかな
ariakeno tsukinohikario matsuhodoni
wagayonoitaku fukenikerukana
In English While I waited for the light of the late-rising moon,
the night grew deep — and so have my years.

Pair 17

Kasen-e portrait of Ōnakatomi no Yoshinobu

LeftŌnakatomi no Yoshinobu

大中臣能宣おおなかとみのよしのぶ

(921–991)

Son of Ōnakatomi no Yorimoto, he served as chief priest of Ise Shrine. One of the Five Men of the Pear Pavilion. Ise no Taifu was his granddaughter.

Go to Poem 49 of the Hyakunin Isshu
In Japanese 千年ちとせまで 限かぎれる松まつも 今日きょうよりは
君きみに引ひかれて 万代よろづよや経へむ
chitosemade kagirerumatsumo kyouyoriha
kiminihikarete yorozuyoyahemu
In English Even the pine, whose life is said to end at a thousand years,
from today, pulled up by you,
may live ten thousand years.
Kasen-e portrait of Mibu no Tadami

RightMibu no Tadami

壬生忠見みぶのただみ

(Dates unknown)

Son of Mibu no Tadamine. A story says that after losing to Taira no Kanemori at the Tentoku Palace Poetry Contest, he fell ill from disappointment.

Go to Poem 41 of the Hyakunin Isshu
In Japanese 恋こいすてふ 我わが名なはまだき 立たちにけり
人ひと知しれずこそ 思おもひそめしか
koisutefu waganahamadaki tachinikeri
hitoshirezukoso omohisomeshika
In English Already the rumor has spread that I am in love,
though I had only just begun
to love in secret.

Pair 18

Kasen-e portrait of Taira no Kanemori

LeftTaira no Kanemori

平兼盛たいらのかねもり

(Unknown–991)

Great-grandson of Emperor Kōkō. At the Tentoku Palace Poetry Contest he presented his poem "Shinoburedo...," and it is said that he won against Mibu no Tadami because Emperor Murakami softly recited it.

Go to Poem 40 of the Hyakunin Isshu
In Japanese 数かぞふれば 我わが身みに積つもる 年月としつきを
送おくり迎むかふと なにいそぐらむ
kazofureba wagaminitsumoru toshitsukio
okurimukafuto naniisoguramu
In English When I count them, the years and months only pile up on me,
so why do people hurry
to send off the old year and welcome the new?
Kasen-e portrait of Nakatsukasa

RightNakatsukasa

中務なかつかさ

(c. 912–c. 991)

Daughter of Prince Atsuyoshi and Ise; she was chosen as one of the Thirty-Six Immortal Poets together with her mother. She is not in the Hyakunin Isshu, but with the gift for poetry she inherited from her mother, she has as many as 69 poems in the imperial anthologies.

In Japanese 秋風あきかぜの 吹ふくにつけても 訪とはぬかな
荻おぎの葉はならば 音おとはしてまし
akikazeno fukunitsuketemo tohanukana
oginohanaraba otohashitemashi
In English Even now that the autumn wind blows,
you do not come to visit.
If you were reeds (ogi), at least you would rustle.